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  Senate Vice Presidential Bust Collection

 William A. Wheeler
(1890 ca. -1892) by Edward Clark Potter
 William A. Wheeler 

In 1886 the Senate authorized the acquisition of a marble bust of each former vice president of the United States for display in the Senate Chamber. In executing the mandate, the Joint Committee on the Library recommended the immediate commissioning of busts of the three living vice presidents: Hannibal Hamlin, Chester A. Arthur, and William A. Wheeler. The Wheeler commission, however, was not awarded until 1890, three years after the subject’s death. Senator William M. Evarts of New York, chairman of the Joint Committee on the Library, recommended sculptor Edward Clark Potter for the project, and Potter readily accepted. The sculptor relied on photographs to capture Wheeler’s likeness.

Born in Connecticut, Potter trained in the studio of the celebrated American sculptor Daniel Chester French. There Potter perfected an understanding of animal anatomy, which led to his specialization in equestrian sculpture. He frequently collaborated with French on equestrian commissions–French would model the rider, and Potter would model the horse. In 1886 Potter traveled to Paris to continue his studies. After exhibiting there, he returned to the United States and settled in Washington, D.C., in 1890, the same year he undertook the Wheeler bust.

A major boost in Potter’s career came with the 1893 World’s Columbian Exposition in Chicago, where he and French exhibited a number of jointly produced figural groups. Potter continued to collaborate with French on various equestrian statues for several more years and completed a number of works on his own as well, including the admired equestrian portrait of General Henry Warner Slocum at Gettysburg. Potter also created successful portrait statues, such as likenesses of Robert Fulton for the newly constructed Library of Congress (Jefferson Building) and of Michigan Governor Austin Blair for the state capitol in Lansing. The artist’s most notable works are his two marble lions for the New York Public Library. Although they were initially criticized by some residents as lackluster and unmajestic, Potter’s lions are today much beloved.

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