This painting is one of two portraits of Nicholas Van Dyke executed by Jefferson David Chalfant, a prominent Delaware artist. In 1914 the great-granddaughters of Senator Van Dyke, among whom was Mary Saulsbury, the wife of Delaware Senator Willard Saulsbury, Jr., presented one of the paintings to the U.S. Senate and the other to the state of Delaware. The Delaware painting is currently in the collection of the state of Delaware Bureau of Museums and Historic Sites.
Early in his career, Chalfant specialized in trompe l’oeil paintings, for which he is best remembered. Although only about a dozen of these still lifes exist, they are considered quite successful. Originally a cabinetmaker from Chester County, Pennsylvania, Chalfant spent the majority of his career in Wilmington, Delaware. In 1890, under the sponsorship of a wealthy patron, Chalfant went to Europe to receive formal art instruction at the Academie Julian in Paris, where he studied human figure drawing. As a result, Chalfant’s focus shifted from still lifes to genre scenes, and ultimately to portraiture after the turn of the century. From 1905 to 1927 he painted portraits in the Wilmington area with the support of Senator and Mrs. Saulsbury. The Smithsonian Institution’s Inventory of American Painting and Sculpture lists 111 works by Chalfant. These are held by a variety of individuals and institutions, including the Metropolitan Museum of Art in New York City; the Delaware Art Museum in Wilmington, Delaware; and Dartmouth College in Hanover, New Hampshire. After suffering a stroke in 1927, the artist was forced to give up painting. He died four years later.