On January 16, 1885, the Senate passed a resolution introduced by Senator George Hoar of Massachusetts calling for the installation of a marble tablet in the Vice President’s Room in the U.S. Capitol in memory of Vice President Henry Wilson, who had died in the room 10 years earlier. Senator Hoar also asked the Joint Committee on the Library to informally approve the expenditure of $1,000 to commission noted sculptor Daniel Chester French to create a bust of the late vice president for placement above the plaque. The committee agreed, and a week later Senator Henry Dawes, also of Massachusetts, introduced a resolution authorizing the purchase of the bust. Dawes observed that the only other distinguished public servant to die in the Capitol was John Quincy Adams, who suffered a stroke on the floor of the House of Representatives in 1848. To honor Adams, the House had directed that a tablet, surmounted by a bust, be placed in the old Speaker’s Room. Dawes called for a similar memorial for Wilson, praising his dedication: “The public services and the life of Mr. Wilson were entirely American, and furnish a remarkable illustration of the working of our institutions. . . . That fame he largely achieved in this body, of which he was the President when he died.” Dawes also noted that the former vice president was “the child of poverty,” continuing, “It has been said of him here that he had no other home but this Capitol.”
 The Senate adopted Senator Hoar’s resolution, and four days later, the Joint Committee on the Library awarded the commission to Daniel Chester French of Massachusetts.
French produced the bust of Vice President Wilson in Boston and sent the nearly finished work to the Capitol in April 1886, writing, “I have still a few days work to do upon it and shall come to Washington to finish and place it in two or three weeks.” A month later, French was still waiting to learn if the bust had arrived. There is no record of when he visited Washington to finish the marble. Final payment for his work was made on June 10, 1886, and the bust was placed in the Vice President’s Room that year. The bronze commemorative plaque, though authorized at the time the bust was commissioned, was not installed in the room until 1902.
The bust is marked by simplicity, in the subtle, unemphatic modeling and especially in the striking symmetry of the costume. The broad verticals of coat lapels, vest, and shirtfront have a measured, dignified rhythm and at the same time form a strong base for the head, which is cupped in the incisively carved wing collar. The eyes are left blank; it may be that French intended this as an allusion to classical sculpture and to what he viewed as Wilson’s modern-day association with Greco-Roman virtues.
Several additional vice presidential bust commissions followed closely after the Wilson portrait. In 1886 the Senate authorized marble busts of five vice presidents: the three who were living at the time, as well as John Adams and Thomas Jefferson, the first two men to hold the office. However, while the Wilson bust was commissioned specifically to commemorate the statesman’s death in the Capitol, and was therefore designated for display in the Vice President’s Room, the other five busts were destined for the Senate Chamber itself, and formed the initial core of the Senate’s Vice Presidential Bust Collection. Perhaps in part because of the success of his Wilson likeness, French was later awarded the commission for the bust of Vice President John Adams.
1. Congressional Record (27 January 1885) vol. 16, pt. 2: 1018.